Animal Man (1988) #9
Title: Home Improvements
Writer: Grant Morrison
Pencils: Tom Grummett
Inks: Doug Hazlewood
Letters: John Costanza
Colors: Tatjana Wood
Cover Art: Brian Bolland
Editor: Karen Berger
Publisher: DC Comics
It’s been a rough few months for Animal Man – the alien invasion introduced a gene bomb that has made his powers go haywire, and he’s concerned that his new position as a member of Justice League Europe may be in jeopardy, plus Mirror Master just trashed his house. But being a Leaguer has its benefits, as we see this issue when the Martian Manhunter drops in for a visit.
Here’s where we start to drift away from those Animal Man issues I’ve read before. Although I know that Grant Morrison is going to get meta in the coming issues, I don’t know too much about what direction he’s going to take, which may be the reason this issue seems a little by-the-book for me. It’s not a bad issue at all, far from it. It’s nice to see Buddy and company interacting more with the rest of the DC Universe, and the Justice League in particular. What we don’t get much of, though, are the larger ideas and bigger picture that Morrison has been slowly building towards. This feels very much like a standard DC Universe story, although a bit funnier than most (a feeling that’s mostly accomplished thanks to the workers J’onn brings in to fix up Buddy’s house). Not bad, but not what we’ve come to expect from Morrison.
I’ve been a big fan of Tom Grummett for years, since his Superman days, which actually happened after he drew this issue. The stuff I liked about his work then and now was already present here – it’s very clean, very bold work. The characters are expressive and the action is clear. It’s traditional superhero work, to be sure, but he does it very well. Brian Bolland, as usual, knocks it out with a great cover that really captures the feel of the story and the characters.
Rating: 7/10
Animal Man (1988 Series) #8
Title: Mirror Movies
Writer: Grant Morrison
Art: Chas Truog & Doug Hazlewood
Letters: John Costanza
Colors: Tatjana Wood
Cover Art: Brian Bolland
Editor: Karen Berger
Publisher: DC Comics
Following the Invasion, two big things have happened to Animal Man. First, he’s been made a member of Justice League Europe. Second, his powers are all scrambled, not functioning properly. This turns out to be a bit of a problem when the Flash’s old foe, Mirror Master, attacks him in his own home.
At first glance, this issue seems pretty standard for a superhero comic. Buddy is placed in a predicament when he’s attacked by a villain and is, in essence, powerless. We’ve seen it several times. What’s more, the book even suffers just a tad by having the main character’s circumstances dictated by a recent crossover without actually explaining anything. People who didn’t read the Invasion! Crossover at the time probably would have no idea what’s wrong with buddy or how he wound up with the JLE. Having read a lot of those comics, though, I’m pretty comfortable with this stuff, and have a pretty simple time of inserting this into DC Continuity of the era.
The fight itself is clever. Although the mirror master scenes don’t really push the boundaries of comic book storytelling, Grant Morrison is finding ways to use his powers that I don’t think had been fully explored in the past, at least not all of them. What makes the book stand out, though, are some a couple of perplexing prologue and epilogue pages which both point to a larger conspiracy at work against Animal Man and, at the same time, begin to further set the stage for the really bizarre stuff that is to come.
The Chas Truog and Doug Hazlewood art team puts out a good effort this week. You can always tell Mirror Master, even in disguise, due to the expressions on his face, and there’s a nice consistency with the disheveled, just-rolled-out-of-bed look that Buddy maintains throughout the issue.
And as a final note, it’s a nice touch that the issue is dedicated to the creators of Mirror Master: John Broome, Gardner Fox and Carmine Infantino… as well as “the late, great Barry Allen.”
Ah, how times change.
Rating: 8/10
Justice League Dark #2
Title: In the Dark Part Two: Dark Matter
Writer: Peter Milligan
Art: Mikel Janin
Colorist: Ulises Arreola
Letterer: Rob Leigh
Cover Artist: Ryan Sook
Editor: Rex Ogle
Publisher: DC Comics
The Enchantress is growing more unhinged, her power more unchecked, and Zatanna know she’s going to have to draw together a team to fight back. Across America, though, the likes of Constantine and Shade the Changing Man are dealing with issues of their own. The book is coming together slowly, but not in a bad way. Like a lot of team books, this first story arc feels like it’s all about bringing the group together for the first time. We see their connections here to Zatanna, we see why they may be needed, and the slow convergence is entertaining to me. The big surprise is just how big a role Dove seems to be playing in the book. Considering her relationship with Deadman, I expected her to show up once in a while, but this issue really makes it feel as though she’s going to be a regular cast member, which would be just fine by me. In addition to a good story, the artwork by Mikel Janin is nothing short of gorgeous. His ability to blend superhero characters with a book that feels like high fantasy is absolutely uncanny, and his faces are very expressive and energetic, telling the story of the characters’ emotions as neatly as the speech balloons convey their words. The “Dark” corner of the New 52 has really turned out to be one of its finest.
Rating: 8/10
Justice League International (2011 Series) #2
Title: The Signal Masters Part 2
Writer: Dan Jurgens
Pencils: Aaron Lopresti
Inks: Matt Ryan
Colorist: Hi-Fi
Letterer: Travis Lanham
Cover Artist: Aaron Lopresti & Hi-Fi
Editor: Rex Ogle
Publisher: DC Comics
The new Justice League International is having a tough first mission. While they go toe-to-toe with a ginormous robot in Peru, back in Washington DC the Hall of Justice is firebombed, robbing them of a headquarters. With Booster’s leadership in question already, the team begins to choose sides, and the future of the League is in doubt. The character conflict is really nice here. Guy Gardner leading the anti-Booster contingent is perfectly in-character for him, and this issue gives us a little bit of info as to the status of his and Ice’s relationship in the New 52 as well. Meanwhile, we see Batman and Godiva on Booster’s side, both for very different reasons of course, but for equally legitimate reasons from a character standpoint. The book, while not as slapstick as this title was in its most popular incarnation, is still mostly lighthearted and entertaining, which makes for some good light reading in the midst of a comic book landscape that too often treats fun comics as though they have no value. I really like Aaron Lopresti’s artwork – his characters look great and the giant robot is nicely menacing. This isn’t my favorite of the New 52, but I like it plenty.
Rating: 7/10
Recent Reviews: September 21 & 28 Releases
I’m just realizing I neglected to do a “recent reviews” post last Tuesday. It was a busy day, sorry about that. So here are my recent reviews from CXPulp.com for the past two weeks, including a lot of New 52 and several other goodies.
- All-Star Western (2011) #1
- Avengers Academy #19
- Avengers: The Children’s Crusade #7
- Batman (2011) #1
- Blue Beetle (2011) #1
- Captain Atom (2011) #1
- Darkwing Duck (2010) #16
- DC Universe Presents #1
- Doctor Who (2011) #9
- Dorothy and the Wizard in Oz #1
- Fables #109
- FF #9
- Ghostbusters (2011) #1
- Green Lantern Corps (2011) #1
- Green Lantern: New Guardians #1
- The Guild: Clara #1
- Justice League Dark #1
- Legion of Super-Heroes (2011) #1
- Nightwing (2011) #1
- The Red Wing #3
- Star Trek (2011) #1
- Supergirl (2011) #1
- Superman (2011) #1
- Teen Titans (2011) #1
- Voodoo (2011) #1
- Witch Doctor #3
- X-Men: Schism #4
DC Universe: Last Will and Testament #1
Quick Rating: Very Good
Title: Conversions
What would you do the night before the end of the world?
Writer: Brad Meltzer
Pencils: Adam Kubert
Inks: John Dell & Joe Kubert
Colors: Alex Sinclair
Letters: Rob Leigh
Editors: Eddie Berganza & Dan Didio
Cover Art: Adam Kubert, Joe Kubert & Nei Rufino (Cover A); Adam Kubert, John Dell & Laura Martin (Cover B)
Publisher: DC Comics
Since Brad Meltzer is the one who started the DC Universe in its current direction way back in Identity Crisis, it’s only fitting that he come back to make his case as line reaches the end of that road with Final Crisis. It’s the night before the last battle, the night before the heroes of the DC Universe expect the world to end, and everyone is preparing in their own way. What they do, who they choose to be with, how they spend their final night… these are the choices who make the characters who they are.
Much of the book is made up of short vignettes. Powerful father-son moments with Clark and Jonathan Kent and Batman and his two true sons, sister moments with Wonder Woman and Wonder Girl, and tender moments between husbands and wives are plentiful, and are to be expected. There are unexpected moments, too. A villain almost chooses to be a hero, a hero almost chooses to be a villain. Those heroes who seek spiritual guidance find it in a surprising but highly satisfying place. One hero spends the night pining for a lost love, while others spend it with their soul mates.
The core of the book, however, is Geo-Force. In his Justice League of America run, Meltzer established Geo-Force’s drive to get revenge against Deathstroke for the death of his sister. On his last night on Earth, he chooses to make good on that vow. Even at the height of the Outsiders’ popularity, Geo-Force has never been more than a B-list hero, but this issue he’s a B-lister who steps up and delivers a powerful, emotional punch that even the top heroes in the DC Universe would have trouble matching.
Adam Kubert’s pencils are good as well, and John Dell’s inks compliment them very well. The real shocker on this book, however, comes in when several of the pages (as well as the variant over) are inked by the legendary Joe Kubert. His pages have a wonderfully classic look to them, as though they fell right out of the war comics of the silver age… and for a book like this one, a war story look feels wonderfully appropriate.
It’s not entirely clear why this isn’t specifically labeled as a Final Crisis crossover. Although they don’t specifically refer to the events of that book, the thumbprint of the series is obvious. I can only think of two real reasons the book is marketed the way it was. First off, there’s a clear effort in the company to make DC Universe a brand in and of itself (as evidenced by the zero issue from a few months ago, the several reprint specials we’ve seen, and the upcoming Decisions miniseries). Second, although the book clearly deals with the Crisis, you don’t really need any knowledge of that larger crossover to understand, appreciate, and get absorbed by this wonderfully emotional story. It’s part of something larger – something that goes back to Identity Crisis itself – but it stands on its own. And it’s well worth the read.
Rating: 8/10
Recent Reviews: September 7 Releases
I’d intended to knock out a few more reviews over at CX tonight, but circumstances kind of kept me away from my computer for too long. As a result, all I’ve got are my DC Comics New 52 reviews for you. I’ve got a small stack of other worthy books, and I’ll try to cycle them into the blog here in the next few weeks. But here’s what I did get to review at CX…