DC: The New Frontier #3
Quick Rating: Good
Title: The Brave and the Bold
As the Challengers of the Unknown are born, Hal Jordan finds a new purpose.
Writer/Artist: Darwyn Cooke
Colors: Dave Stewart
Letters: Jared K. Fletcher
Editor: Mark Chiarello
Cover Art: Darwyn Cooke
Publisher: DC Comics
The various plotlines woven into the first two issues of The New Frontier finally start to converge, albeit tangentially, in this issue. Four brave men band together as the Challengers of the Unknown. Meanwhile, J’onn J’onzz finds his secret jeopardized and Hal Jordan signs up with Ferris Aircraft, unaware of the fate that awaits him.
Darwyn Cooke’s story gets a bit more interesting this issue as some of the various plotlines from the first two issues begin to connect. He has done a good job generating a feel for the silver age incarnations of these characters, with the exception of the “big three” of Superman, Batman and Wonder Woman, each of whom seems like more of a holdover of their golden age selves and who are, in fact, painted as something of an “old guard” in this series. Cooke also adds in a new character in this issue, a black man who sets out to take revenge on white supremacists that assaulted him. The story isn’t entirely original, of course, but I find myself curious about it mostly because, DC geek that I am, I can’t seem to figure out what character he is supposed to be a corollary for.
If there’s any problem with this book, it’s that so much of it seems like retreaded territory. While the classic versions of the characters are welcome, the red scare story and the reactionary Commie-hunter story are both somewhat worn out, and Cooke’s storyline doesn’t feel like it’s adding much to it, at least not yet.
As usual, his artwork is fantastic. Cooke’s iconic style is absolutely perfect for an old-fashioned comic book story, or a story that tries to take old fashioned elements and cast them in a new light. He draws the best classic versions of Superman and Batman that I’ve seen since the creators themselves put down their pencils, and the otherworldly form he gives the Martian Manhunter is spot-on.
So far, this series is more remarkable for the artwork than the storyline, but the storyline is okay. And it’s still got plenty to potential to grow – Cooke just needs to find the new paths that are available with such great source material and stop going down the old ones so much.