Avengers Vs. X-Men #2
Title: Round 2
Story: Jason Aaron, Brian Michael Bendis, Ed Brubaker, Jonathan Hickman, Matt Fraction
Script: Jason Aaron
Pencils: John Romita Jr.
Inks: Scott Hanna
Letters: Chris Eliopoulos
Colors: Laura Martin
Cover Art: Jim Cheung & Laura Martin
Editor: Tom Brevoort
Publisher: Marvel Comics
With the Phoenix Force returning to Earth, Hope Summers seems to be the logical candidate for its chosen host. The Avengers have come to Utopia so that Captain America can ask Cyclops to turn the girl over into their custody. Cyclops isn’t having any of that, though, and this issue, war breaks out.
This issue is almost entirely action – it’s the Avengers vs. the X-Men, just as the title of the book promises. On that front, at least, it delivers. There’s a lot of fighting and a lot of property damage and a lot of hero-on-hero violence as the characters draw their sides and decide quickly who’s going to fight who. Some of this is fairly logical – Doctor Strange battling Magik, for instance, or Quicksilver heading straight in to trade blows with his father, Magneto.
The problem is still that the whole book is lacking in logical sense. Cyclops seemed ready for a fight long before Captain America arrived, and the rest of the X-Men with him. Captain America came in with an entire helicarrier full of Avengers. The thing that just doesn’t make sense, though, is why. Given the number of times these characters have worked together in the past, the notion that these two heroes would go in expecting a battle, having basically decided that negotiation is not an option, is absurd. There’s never any chance that this issue could be talked out, because Captain America comes in with his big guns and Cyclops is already waiting to throw a punch from the moment he arrives. This issue, which basically just follows the violence, is notable only for a pretty effective scene where it becomes clear exactly what Wolverine’s priorities are. Although he’s not the only character to have a foot in both the Avenger and X-Men camps, he’s probably the most interesting one, and it’s not hard to see this entire miniseries shaking out to be the ultimate Wolverine showcase.
John Romita Jr., as I’ve said before, is a strong artist, but not particularly suited for large-scale cosmic events like this one. He’s more of a street level artist, and the way the moments of big power fall flat here makes that clear.
After two issues, I already feel like this miniseries – one I hoped would escape the problems of Civil War, is simply doomed to repeat them.